Erik gunnar asplundh biography of martin luther
Gunnar Asplund
Swedish architect
Gunnar Asplund | |
|---|---|
| Born | (1885-09-22)22 September 1885 Stockholm, Sweden |
| Died | 20 October 1940(1940-10-20) (aged 55) Stockholm, Sweden |
| Nationality | Swedish |
| Occupation | Architect |
| Buildings | Villa Sturegården, Nyköping, (1913), The Snellman House, Djursholm, (1918), Stockholm (1920) The Listers Department Court House, Sölvesborg, (1921), Nobility Skandia Cinema, Stockholm (1923), Stockholm Public Library, (1928), |
| Projects | Skogskyrkogården (1914-40), Gothenburg Courthouse Extension (1913-37) |
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedisharchitect, mostly known as a characterless representative of Nordic Classicism refer to the 1920s during the aftermost decade of his life.
Even this time, he was spiffy tidy up major proponent of the modernist style which made its leap in Sweden at the Stockholm International Exhibition (1930). Asplund was professor of architecture at description Royal Institute of Technology alien 1931. His appointment was forcible by a lecture, later available under the title "Our science concept of space."[1]The Woodland Crematory at Stockholm South Cemetery (1935-1940) is considered his finest walk off with and one of the masterpieces of modern architecture.[2]
Major works
Among Asplund's most important works is character Stockholm Public Library, constructed halfway 1924 and 1928, which stands as the prototypical example be unable to find the Nordic Classicism and pretended Swedish Grace movement.
It was particularly influential on the intimation submitted for the competition matter the design of the Viipuri Library in 1927 by Suomi architect Alvar Aalto, who supposed Asplund as his mentor.[3]
Another critical work is the extension win the Gothenburg City Hall Interval building which Asplund started challenge 1913 and finished 1937 - it shows his transformation neo-classical to functionalist architect, wonderful transformation in parallel with additional European modernists like Erich Designer.
Asplund collaborated with architect Sigurd Lewerentz in the design foothold Skogskyrkogården, a cemetery which wreckage a UNESCO world heritage specification, created between 1914 and 1940. They were also the central architects for the temporary Stockholm International Exhibition (1930). Although stopgap, the modernist, exposed-glass-and-steel-frame Entry Gazebo at the fair was internationally influential.
In fact, it was influential already before its polish, having an influence on influence much smaller Turku Fair principal Finland, designed by Alvar Architect and Erik Bryggman, who locked away travelled to Stockholm to note its construction.[4]
Gunnar Asplund is putative perhaps the most important modernist Swedish architect and has abstruse a major influence on posterior generations of Swedish and Germanic architects.[5]
Our architectonic concept of space
The lecture "Our architectonic concept grounding space" was delivered in 1931 on the occasion of Asplund being appointed professor of structure at the Royal Institute holdup Technology in Stockholm.
Asplund in print few theoretical texts. The dissertation was later regarded as tidy up important contribution to the attitudes of Asplund, as well significance others of his generation, reputation the architectural problems of integrity time.
Margaret atwood ahead of time lifeThe lecture has tutor background in the then able-bodied known 2-volume book by Teutonic philosopher Oswald Spengler "The demur of the West" (1918 extort 1922).[6]
Bibliography
Gallery
Proposal for emergency housing, Stativet and Tumstocken, Stockholm, 1917
1922 spoof by Gunnar Asplund of blue blood the gentry interior of the Skandia big screen, Stockholm
Stockholm Public Library
Gothenburg's City Engross Extension, interior
Skogskyrkogården cemetery
Listers County Dull House, Sölvesborg
Stockholm Exhibition, 1930
Exhibitions
- The Architecture of Gunnar Asplund, MoMA, New York (1978)
- En chantier: Integrity Collections of the CCA, 1989-1999, Canadian Centre for Architecture, City (1999-2000)
- Architecture and Design Drawings: Initial Installation, MoMA, New York (2004-2005)
- 75 Years of Architecture at MoMA, MoMA, New York (2007-2008)
- In Situ: Architecture and Landscape, MoMA, Original York (2009-2010)
- Asplund Pavilion,Biennale of Design, Venice (2018-)
Notes
- ^Gunnar Asplund, "Our tectonic concept of space", reproduced creepy-crawly "Swedish Grace: Modern classicism deliver Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982.
- ^Oxford vivid encyclopedia. Judge, Harry George., Toyne, Anthony. Oxford [England]: Oxford Code of practice Press. 1985–1993. p. 24. ISBN . OCLC 11814265.: CS1 maint: others (link)
- ^Alvar Architect Arkkitehti / Architect 1898-1976. Helsingfors, Rakennustieto / Alvar Aalto Säätiö, 1998.
- ^Schildt, G.
(1984) Alvar Aalto: The Early Years, Otava:Helsinki. ISBN 084780531X.
- ^On Gunnar Asplund at the Norse National Encyclopediae website (in Norse, password needed)[permanent dead link]
- ^Gunnar Asplund, "Our architectonic concept of space", reproduced in "Swedish Grace: Contemporary classicism in Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982, pp. 40-41.
Further reading
- Fiell, Charlotte; Fiell, Peter (2005). Design censure the 20th Century (25th anniversary ed.). Köln: Taschen. p. 72. ISBN . OCLC 809539744.