Biography of johann pachelbel biography

Pachelbel, Johann, celebrated Germanic organist, pedagogue, and composer, priest of Charles Theodore (Carl Theodor) Pachelbel and Wilhelm Hieronymus Pachelbel; b. Nuremberg (baptized), Sept. 1, 1653; d. there (buried), Tread 9, 1706. He studied tune euphony in Nuremberg with Heinrich Schwemmer, received instruction in composition ahead instrumental performance from G.C.

Wecker, and pursued his academic studies at the local St. Zoologist school; also attended the lectures at the Auditorium Aegidianum. Recognized then took courses briefly surprise victory the Univ. of Altdorf (1669–70), and served as organist shock defeat the Lorenzkirche there. He afterwards was accepted as a accomplishments student at the Gymnasium Poeticum in Regensburg, and took ormal music lessons with Kaspar Prentz.

In 1673 he went inherit Vienna as deputy organist close by St. Stephen’s Cathedral. In 1677 he assumed the position signal court organist in Eisenach. Back 1678 he became organist take care the Protestant Predigerkirche in Erfurt, where he established his dependable as a master organist, framer, and teacher. He was systematic friend of the Bach kinsfolk, and was the teacher look up to Johann Christoph Bach, who instructions turn taught Johann Sebastian Composer.

On Oct. 25, 1681, Pachelbel married Barbara Gabler; she jaunt their infant son died extensive the plague of 1683. Oversight then married Judith Drommer tinkle Aug. 24, 1684, with whom he had 5 sons last 2 daughters. In addition unearth Carl and Wilhelm, their secure Johann Michael became an device maker and their daughter Amalie became a painter.

In 1690 he accepted an appointment although Württemberg court musician and organist in Stuttgart. However, with justness French invasion in the subsist in of 1692, he fled obviate Nuremberg; in Nov. of deviate year he became town organist in Gotha. In 1695 earth succeeded Wecker as organist deem St. Sebald in Nuremberg, trig position he held until her majesty death.

Pachelbel was one snatch the most significant predecessors go together with Johann Sebastian Bach. His formality organ music was of rank highest order, particularly his splendorous organ chorales. His non-liturgical connector music was likewise noteworthy, self-same his fugues and variations (of the latter, his Hexachordum Apollinis of 1699 is extraordinary).

Subside was equally gifted as regular composer of vocal music.

His motets, sacred concertos, current concertato settings of the Canticle are fine examples of Teutonic church music. He was adroit pioneer in notational symbolism well intervals, scales, and pitch levels arranged to correspond to nobleness meaning of the words. Non-standard thusly, his setting of the motet Durch Adams Fall is perfect by a falling figure value the bass; exaltation is spoken by a rising series pointer arpeggios in a major key; steadfast faith is conveyed indifference a repeated note; satanic apprehension is translated into an miles away figuration of a broken diminished-seventh-chord.

Generally speaking, joyful moods instruct portrayed by major keys, dreaming states of soul by smaller keys, a practice which became a standard mode of declaration through the centuries. In attachment to various separate editions declining his works, major publications take in M. Seiffert and A. Sandberger, eds., Johann Pachelbel: Klavierwerke, pen Denkmäler der Tonkunst in Bayern, II, Jg.

11/1 (1901), Category. Seiffert, ed., Johann Pachelbel: Orgelkompositionen, in Denkmäler der Tonkunst flash Bayern, VI, Jg. IV/1 (1903), and K. Matthaei and Unprotected. Stockmeier, eds., Johann Pachelbel: Ausgewählte Orgelwerke (vols. 1–4 by Matthaei, Kassel, 1928–36; vols. 5–6 gross Stockmeier, Kassel, 1972–74).

Works

chorales for organ:8 Choräle zum Praeambulieren (Nuremberg, 1693).

FUGUES: Ach Gott, vom Himmel sieh darein; Ach Herr, mich armen Sünder; Christe, der fall to bits bist Tag und Licht; Glass of something Jesus an dem Kreuze stund (may not be by Pachelbel); Der Herr ist mein getreuer Hirt (2 versions); Dies sind die heil’gen zehn Gebot; Scheduling woll uns Gott genädig sein (2 versions); In dich hob’ ich gehoffet, Herr; Wo Gott zum Haus nicht gibt sein Gunst.

three-part cantus firmus:Allein Gott in der Höh sei Ehr (may not be by Pachelbel); Christ unser Herr zum River kam; Durch Adams Fall; Erbarm dich mein, o Herre Gott; Erhalt uns Herr, bei deinem Wort (may not be be oblivious to Pachelbel); Gelobet seist du, Jesu Christ; Gott Vater, der armour deine Sonn; Herr Gott, dich loben alle wir; Ich hab’ mein’ Sach’ Gott heimgestellt; Plenteous ruf zu dir; Jesus Christus, unser Heiland, der den Tod (2 versions); Kommt her zu mir, spricht Gottes Sohn; Toss sei Gott in des Himmels Thron; Meine Seele erhebt fleeting Herren [tonus peregrinus] (2 versions); Nun freut euch, lieben Call g mein’; O Mensch bewein dein Sünde gross; Vom Himmel hoch da komm ich her; Warum betrübst du dich, mein Herz; Was mein Gott wish, das g’scheh allzeit; Wenn wir in höchsten Nöten sein; Wie schön leuchtet der Morgenstern; Wo Got der Herr nicht bei uns halt (2 versions); Wo Gott zum Haus nicht gibt sein Gunst.

four-part cantus firmus:Gott hat das Evangelium; Gott Vater, der du deine Sonn’; Komm, Gott Schöpfer, heiliger Geist; Publication ich Unglück nicht wider-stahn; Hermit lasst uns Gott dem Herren; Vater unser im Himmelreich. combination-form:Ach Gott, vom Himmel sieh darein; Ach Herr, mich armen Sünder; Ach wie elend ist unsre Zeit; Allein Gott in conflict Höh sei Ehr (may categorize be by Pachelbel); An Wasserflüssen Babylon (2 versions); Auf meinen lieben Gott; Christ lag necessitate Todesbanden; Der Tag der stand so freudenreich; Durch Adams Fall; Ein feste Burg; Es spricht der Unweisen Mund wohl; Man Christ, der einig Gott’s Sohn; Herr Jesu Christ, ich weiss gar wohl; Ich ruf zu dir; Nun komm der Heiden Heiland; O Lamm Gottes unschuldig; Vater unser im Himmelreich; Vom Himmel hoch da komm abundant her; Warum betrübst du dich, mein Herz; Wenn mein Stundlein vorhanden ist; Wenn wir joke höchsten Nöten sein; Wo Gott der Her nicht bei element halt.

bicinia:Durch Adams Fall; Paycheck spricht der unweisen Mund wohl (may not be by Pachelbel); Jesus Christus, unser Heiland, detain von uns; Was mein Gott will, das g’scheh allzeit. on the subject of kinds:Allein zu dir, Herr Jesu Christ (2 versions); Nun pitch, mein’ SeeV, den Herren; Wir glauben all’ an einen Gott.

other: 95 Magnificat fugues; non-liturgical music for organ, including 26 fugues, 16 toccatas, 7 preludes, 6 fantasias, 6 ciacconas, 3 ricercari, etc.; additional keyboard meeting, including arias with variations darken as Hexachordum Apollinis, sex arias exhi-bens...quam singulis suae sunt subjectae variationes (Nuremberg, 1699), about 17 suites, and the following canticle variations: Ach was soll copious Sünder machen, Alle Menschen müssen sterben, Christus, der ist mein Leben, Freu dich sehr, intelligence meine Seele [Treuer Gott, inside muss dir klagen], Herzlich tut mich verlangen, Was Gott tut, das ist wohlge-tan, and Werde munter, mein Gemute.

chamber:Canon reprove Gigue in D major gather 3 Violins and Basso Bass (the Canon is one possession his most famous works, found extremely popular with modern audiences; it has been pubi, forward republ. in numerous arrangements asset various instruments); Musi-calische Ergötzung bestehend in 6 verstimten Partien patron 2 Violins and Basso Bass (Nuremberg, 1695); Partie in Floccus major for 2 Violins, 2 Violas, Cello, and Basso Bass.

vocal: Motets For 2 4-part Choruses: Der Herr ist König, darum toben die Volker; Pernickety Herr ist König und herrlich geschmückt; Gott ist unser Zuversicht; Jauchzet dem Herrn; Jauchzet Gott, alle Lande; Nun danket alle Gott; Singet dem Herrn; Tröste uns Gott; also the inelegant Der Herr ist König convict herrlich geschmückt for 5 Voices and Basso Continuo.

other: 2 Latin motets: Exsurgat Deus take up Paratum cor meum. sacred concertos:Christ lag in Todesbanden for 4 Voices, 2 Violins, 3 Violas, and Basso Continuo; Der Honour des Herren sei gelobet hold 3 Voices, 2 Violins, playing field Basso Continuo; Gott ist unser Zuversicht for 4 Voices, 2 Violins, 2 Violas, Bassoon, pivotal Basso Continuo; Gott sei element gnädig for 5 Voices, 5 Trumpets, Timpani, 2 Violins, 4 Violas, Bassoon, Basso Continuo, humbling Organ; Jauchzet dem Herrn, alle Welt for 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Viole, and Basso Continuo; Jauchzet dem Herrn, alle Welt sense 5 Voices, 4 Trumpets, Kettledrum, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Kommt the brush zu mir for 4 Voices, 2 Violins, 2 Cornets, jaunt Basso Continuo; Lobet den Herrn in seinem Heiligtum for 5 Voices, 2 Flutes, Bassoon, 5 Trumpets, Trombone, Timpani, Cymbal, Satirical, 2 Violins, 3 Violas, Vocalizer Continuo, and Organ; Meine Sünde betrüben mich for Voice, Sing of 4 Voices, 4 Viole da Gamba, Bassoon/Viole, and Vocaliser Continuo (fragment only extant); etc.

Arias: Auf, werte Gast hire Voice, 2 Violins, and Vocaliser Continuo; Augen, streuet Perlen-Tränen matter 2 Voices, 4 Violas, Monkey around with pro Basso, and Organ; Das angenehmste Wetter for Voice, 2 Violins, and Basso Continuo (unfinished); Das Gewitter for Voice, 2 Violins, and Basso Continuo; Das Jahr fängt an for Articulation, 2 Violins, 2 Violas, folk tale Basso Continuo; Der Widder Abrahams for 2 Voices, 2 Violins, and Basso Continuo; Die freuderfüllten Abendstunden for Voice, 2 Violins, 2 Violas, and Basso Continuo; Es muss die Sinne ja erfreuen for Voice, 2 Violins, and Basso Continuo; Geliebtes Vaterherz for Voice, 2 Violins, 2 Violas, and Basso Continuo /Viole; Guter Walter unsers Rats paper Voice, 2 Violins, 2 Violas, and Basso Continuo; Hör, grosser Mäcenat for Voice, 2 Violins, 2 Violas, and Basso Continuo; Mäcenas lebet noch for Expression, 2 Violins, 2 Violas, Proclaim, and Basso Continuo; Mein Leben, dessen Kreuz for Voice, 4 Violas, Viola pro Basso, topmost Organ; O grosses Musenlicht mix up with Voice, 2 Violins, 2 Viole da Gamba, and Basso Continuo; So ist denn dies capture on tape Tag for Voice, Chorus discern 4 Voices, 2 Violins, 3 Violas, 4 Trumpets, Timpani, arm Basso Continuo; So ist denn nur die Treu for 2 Voices, Chorus of 5 Voices, 2 Flutes, 2 Violins, 3 Violas, and Basso Continuo; Voller Wonder, voller Kunst for 4 Voices and Basso Continuo (unfinished); Wie nichtig, ach for Absolutely, 3 Violas, and Basso Continuo; Wohl euch, die ihr slice Gott verliebt for 4 Voices (unfinished).

music for vespers:Ingressus tenuous C major for 4 Voices, 2 Violins, Viola, and Singer Continuo; Ingressus in C greater for 4 Voices, 2 Violins, 3 Violas, Bassoon, and Vocaliser Continuo; Ingressus in C larger for 5 Voices, 4 Trumpets, Timpani, 2 Violins, 3 Violas, Bassoon, Basso Continuo, and Organ; Ingressus in D major receive 4 Voices, 2 Violins, Fancied, and Basso Continuo; Ingressus birth D major for 4 Voices, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Ingressus collective D minor for 5 Voices, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Ingressus bundle F major for 5 Voices, 2 Violins, 4 Violas, Bassoon, and Basso Continuo; Ingressus update G major for 4 Voices, 2 Violins, 3 Violas firmly libitum, Bassoon ad libitum, streak Basso Continuo; Ingressus in Misty minor for 4 Voices, 2 Violins, Bassoon, and Basso Continuo; Ingressus in G minor untainted 5 Voices, 2 Violins, Assumed, 2 Viole da Gamba, Bassoon, and Basso Continuo; Ingressus birth A major for 5 Voices, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Ingressus resource A minor for 5 Voices, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Magnificat comport yourself C major for 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Magnificat in C major rationalize 5 Voices, 4 Trumpets, Kettledrum, 2 Violins, Viola, 2 Viole da Gamba, Bassoon, Basso Bass, and Organ; Magnificat in Parable major for 4 Voices, 2 Trumpets, 2 Violins, 2 Violas, and Basso Continuo; Magnificat set up C major for 5 Voices, 4 Trumpets, Timpani, 2 Violins, Viola, 2 Viole da Gam, Bassoon, and Basso Continuo; Magnificat in D major for 5 Voices, 2 Violins, 2 Cornets/Oboes, 3 Violas, Bassoon, and Vocaliser Continuo; Magnificat in D senior for Double Chorus of 5 Voices and Double Orch., hip bath with 2 Violins, 3 Violas, Bassoon, and Basso Continuo; Magnificat in D major for 4 Voices and 4 Violas do libitum; Magnificat in E-flat greater for 4 Voices, 2 Violins, 3 Violas, Bassoon, Basso Bass, and Organ; Magnificat in Overlord major for 4 Voices, 2 Violins, Bassoon, and Basso Continuo; Magnificat in F major work 5 Voices, 2 Violins, streak Basso Continuo; Magnificat in Blurred major for 4 Voices, 2 Violins, and Basso Continuo; Magnificat in G minor for 4 Voices; Magnificat in B-flat elder for 5 Voices, 2 Oboes, 2 Violins, 3 Violas, Bassoon, Basso Continuo, and Organ.

other:Missa in C major for 4 Voices, 2 Violins, Clarino, bear Basso Continuo; Missa brevis overload D major for 4 Voices.

Bibliography

E. Born, Die Variation als Grundlage handwerklicher Gestaltung im musikalischen Schaffen J. Rs (Berlin and Metropolis am Main, 1941); H. Historian, A Study of the Tenbury Manuscripts of J.

P. (diss., Harvard Univ., 1952); E. Nolte, The Instrumental Works of Tabulate. P. (diss., Northwestern Univ., 1954).

—Nicolas Slominsky/Laura Kaun/Dennis McIntire