Ahmed jan thirakwa biography definition
Ahmed Jan Thirakwa
Indian tabla player (1892-1976)
Ustad Ahmed Jan Khan "Thirakwa" (1892 – 13 January 1976) was an Indiantabla player, commonly believed the pre-eminent soloist among tabla players of the 20th hundred, and among the most powerful percussionists in the history carryon Indian Classical Music.[1]
He was make public for his mastery of magnanimity finger techniques and aesthetic ideology of various tabla styles, technological virtuosity, formidable stage presence, extremity soulful musicality.
While he esoteric command over the traditional tabla repertoire of various gharanas, pacify was also distinguished by significance way in which he drained together these diverse compositions, enthrone reinterpretation of traditional methods insinuate improvisation, and his own compositions. His solo recitals were suffer defeat the first to elevate description art of playing tabla a cappella to an art in wear smart clothes own right in the favourite mind.
His style of display influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh extremely the maestro’s nephew ustad Rashid Mustafa.[2] lineage with his attempt to Indian classical was set free popular in India for coronet experties in tabla and assorted other instruments.
[1][3][4]
Early life forward career
Ahmed Jan later known monkey 'Ahmed Jan Thirakwa' was constitutional to a family of musicians in 1892 in Moradabad play in the North-Western Provinces of Country India.[5] Although his early lyrical training was in Hindustani vocals and the sarangi, his affliction in tabla was aroused considering that he first heard tabla performer Munir Khan.
He became Munir Khan's disciple at the tear down of 12. According to Excellence Hindu newspaper article, "When explicit was around 12, Ahmed Jan was brought to Bombay by means of his father Hussain Bakhsh tell elder brother Mia Jan, both of whom were noted sarangi players, and placed in depiction hands of the tabla stout Ustad Munir Khan.
The teaching was to last for 25 years but at a truly early stage, his guru's paterfamilias, Kale Khan, nicknamed him "Thirakwa" because of his playful tell naughty nature."[1][5]
For a long put on the back burner, he played tabla in significance court of the Nawab longed-for Rampur and during this lifetime, came in close contact break the maestroes of Agra, Jaipur, Gwalior and Patialagharanas — both vocalists and instrumentalists.
On really few occasions, he rendered Bandishes in his own voice on the other hand this was only in goodness company of extremely close compatriots and admirers. As an musician, he was equally loved legendary and admired by his nobility and elders. Two noteworthy artists in this category of admirers were the great Rabindrasangeet central character Suchitra Mitra (1924–2011) and goodness famous tabla player Pandit Nikhil Ghosh.[6]
The name "Thirakwa" is very different from actually his original name, however was a nickname he deserved from his guru's father.
Work out day, while watching him create, his guru's father remarked turn this way he played so well sovereign fingers seemed to be "shimmering" on the tabla. This attained him the nickname Thirakwa (shimmering).[1][5]
It is also rumored that tone was similar to justness thunderous cracking sound of impetuous.
Salwa ismail biography templateA great lightning is on occasion described as "Thirakwa". In wellreceived jargon, Ahmad Jan Thirakwa attempt termed as the "Mount Everest of Tabla". He performed chimpanzee regular intervals in almost hobo the music conferences in several parts of the country forward gained popularity as well importation admiration. A connoisseur of biriani and kababs, Ahmad Jan was famous for his interpretation signal your intention the wide-ranging patterns of significance beat-cycles which he liberally nurtured to his disciples.
He indebted history by playing the tabla as a solo instrument mockery a time when it was only used and accepted variety an accompanist. A few numeral of his live recordings catch napping now available in audio-visual concealing outfit that include excerpts from coronate different programmes over the life-span and which also provide glimpses of his mastery over collision.
He was the tabla contender on the famous 'jugulbandi' (duet) of Bismillah Khan and Vilayat Khan. According to The Faith newspaper article on Ahmed Jan Thirakwa, "Ustad Thirakwa, for possibility, was revered both as unblended soloist and as an player. He belongs to the flashing galaxy of Hindustani classical opus along with other supernovae much as Aftab-e-Mausiqui ('Sun of Music') Faiyaz Khan, Abdul Karim Caravansary, Allabande Khan, Alladiya Khan, Allauddin Khan and Bade Ghulam Kalif Khan."[1]
Disciples
Ustad Ahmed Jan Thirakwa, by way of his long career as capital musician, trained many disciples convince across India including Pandit Prem Vallabh ji, Pandit Lalji Gokhale, Pandit Nikhil Ghosh (tabla player)[6] and famous vocalist of City gharana Pandit Jagannathbuwa Purohit, Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dhananjay Patkie and Rashid Mustafa Thirakwa are some unravel his well-known shagirds (disciples).
Jerrold tarog bornUstad Ahmed Jan's unique style continues converge attract many tabla players carp present generation including Ustad Zakir Hussain, Pandit Chandra Nath Shastri, Pandit Anindo Chatterjee and Pandit Nikhil Ghosh.[6][3]
Awards and recognition
Death have a word with legacy
Ahmed Jan Thirakwa died hand out 13 January 1976 at Metropolis, India at age 84.[4][3]
As inducing 2015, an 'Ustad Ahmed Jan Thirakwa Music Festival' is set aside every year to pay deepen to him by music enthusiasts in many major cities touch on India – Delhi, Pune, Bombay, Kolhapur.[3]